I was a mountain by Melita White

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One day, when I was six, I became a mountain
It was the day I yelled and screamed with righteousness into thick air, the air my only witness, while I sat on my bed’s soft bedrock
And with my pillow I swiped at that air, at the bed, at the enemy sitting next to me — her name was Injustice
And the rage burst out like lava from a fissure that needed so much to crack open and Injustice was afraid of me and though the lesson did not teach her anything I learnt there was power in truth and in my anger
I was a mountain

To freeze is not to escape but is to survive by staying still
A fawn is a baby deer but it also means to play along so someone doesn’t kill you
To flee is to run away from danger and escape
And to be able to fight and win — what a dream and privilege that would be

The quake I felt once I’d escaped, its aftershocks I felt again
My heart was coming loud with aches
Thrashed heavy like the pillow you used to suffocate
The murmurs that catch upon my breath
Are the beating wings of the bird trapped in my chest
While she’s learning to fly she remembers to sing
And the frozen fawn she flees the scene

My six year old awoke this morning, her rage amplified so hard by life that the walls pulsed, the glass throbbed and the wood thumped in sympathy
I will give you a thumping my father said to my brother
It was a threat to behave better like your hands on my throat were a suggestion of death
The fawn froze
Half-dead half-here half-there
Brain bisected violently, hurtling towards life and death simultaneously
You refuse to give life, to grow branches and shoot out twigs and new leaves
Your roots stay stuck in your concrete pot, demand that others tend without taking
A puppet ruler, a tin-pot dictator — you fail to give even air

And yet we write — our words don’t flee, they stand and fight
Poems infiltrate the water supply like truth serum
Liars are exposed
The ghosts of those you murdered stand outside your house banging loudly on pots and pans
Charivari, the rough music of justice, the just music of shame
Groundwater toxins vibrate in time, buckle epidermis of earth which pops with stochastic rhythm driven nonsensical by algorithms forming sharp little mountains everywhere the music is heard
The anvil of avoidance presses down firmly, suppressing pain and signals that should be voiced
The pressure exerted here will form a mountain over there
The rough music of justice will be heard and it will make tall mountains

I remember the facile pointless lessons repeated to you yet not learnt
Like discussing morality with a naughty child in an alien dialect
Your tongue so close to my own, the timbre alike but the words made no sense
The dissonance so loud that the difference tones buzzed my eardrums and filled my brain with hot fuzz like lava
And the mountains swelled and popped up randomly on the surface of my mind
And I became one — again
I became a mountain

Melita White is founder and writer of the blog Feminist Confessional, a space that features feminist poetry, essays and personal pieces in a confessional style, with a focus on the MeToo movement. She is a composer and musician and loves making all kinds of things. https://feministconfessional.wordpress.com

til Death – by HLR

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1. It looked like the scene of a crime and I suppose it was:
manufactured by a fucked-up mentality and fuelled by pity,
it was a crime against sanity, a crime of stupidity,
and now I’m gonna have to serve my time until one of us dies.

2. I’m stuck to you with claret glue but you are bad bad bad news.
I’m bad news too but you think I’m the best thing that’s ever happened to you.
That’s just one of the reasons why it was a fucking stupid thing to do.

3. Your dark red dabs remain underneath the fresh magnolia paint and I had to throw your jumper and my t-shirt away. It was a good idea at the time: the unification of two bedlamites, the formation of an everlasting alliance between the perpetually misunderstood, but the knife in the drawer and the scar across my palm reminds me that you do me far more harm than good. Blood smeared on our faces like war-paint and Eminem elected as our patron saint, how we laughed and thought we’d finally found our place in the world: together, against it.

4. “Dream Team, baby.” “Nightmare Pair, baby.”

5. Now that we are family, bound by loyalty, I can’t get rid of you. Well, I can. We always said we’d go out on the blades of glory and this is definitely gonna end badly. You think you’re Sid but, trust me, it’s more likely that you’ll end up like Nancy. Ah, God: it would be way too easy.

6. The problem with a blood pact
is that you can’t take it back:
you’ve got me as a friend
’til the bitter, twisted end.

HLR is a 20-something writer of creative non-fiction, mainly short prose and poetry. She writes about challenging subjects such as mental illness, addiction, suicide and grief with an injection of sardonic British droll—a style acquired through years of mental angst and too much time spent in the pub. Perpetually on the verge of either a breakdown or a breakthrough (sometimes both) HLR was born and raised in north London, and is yet to escape. A list of previous publications can be found here.

Find more of HLR’s fabulous and powerful writing here on her webpage and with the writing collective Hijacked Amygdala  here

This girl is all I am – Candice Louisa Daquin

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There is a secret at the back of my throat

a black tulip

that won’t swallow

the ash of memories

I was you see, a girl of damage and plums

you could see the embers beneath my eyes

like eighties makeup and Adam Ant

I was no prince charming

but the girl who played the piano with her eyes shut

because she could not read music

nor find her way to release

I see photos of girls who could have been me

with fresh skin and dimples

they can join groups and do things in harmony

smile for the camera, bow for the priest

whilst I shunned the age of innocence

or it devoured me

spitting out my infernal seeds

to scatter beyond my picking

how to climb mountains with minions

take a picture?

or smile in the collective conscience

when the stamp is already affixed

blood drawn

waiting for its testing

I can already tell you

it will be infected

with the grief that stayed and did not go

so when you ask me

why don’t you have photos of when you were younger?

why don’t you feature in group shots?

how come you don’t possess family and friends in abundance?

or even handfuls

I point wordlessly

to a girl in the past

licking darkness from her fingers

I say without a tongue

this is who she becomes

this girl is all I am

if it is not enough for you I understand

if you need someone who will radiate and take you

mountaineering and socializing

do not choose her

she has only the will of this moment

she is not a joiner not one of the crowd

but if you let her

precisely because of this

she will be everything

Silence Will No Longer Ring in My Ears- Christine Ray

I will not be silent

I will not maintain the peace

I will say the ugly words

out loud and I will not flinch

Murder

Rape

Incest

Stalking

Harassment

Discrimination

Domestic Violence

Mansplaining

Discounted simply because we are women

 

To find our voices as women

to speak our truth

is a revolutionary act

that says that your voice

her voice

their voices

my voice

Matter

Count

Have weight

Deserve to be heard

Are valid

 

If my refusal to be silent

Makes me a bitch

A shrew

A ball-breaker

Then I will be loudest damn badass bitch that I can be

 

Silence leaves us to blame ourselves in isolation

Silence benefits only those who have hurt us

Silence has been the noose around my neck

The soul ache of my pent-up screams of rage

Every 13th story window I have considered walking out of

 

How fucked up is that?!

 

© 2017 Christine Elizabeth Ray – All rights Reserved


Christine Ray writes for Brave and Reckless and is a member of Sudden Denouement.  She is also curator at Blood Into Ink and barista at Go Dog Go Cafe.  She is an aspiring badass.