I fucking love poetry. I love good poetry, exceptional poetry, poetry that sits heavy on my chest and reaches down my throat to pull my own words out of my belly, and thank the goddess, in the era of the Instapoet and art without soul, Indie Blu(e) publishing and Candice Daquin have given us all a reason to fall in love with poetry again.
To say that SMITTEN This Is What Love Looks Like; Poetry by Women for Women touched me on a level that very few books have been able to reach, would not only be an understatement, but a massive disservice to the writers, editors, and publishers of this book.
From the cover design and the foreword, and my god, the opening poem ‘Lesbian’ by Avital Abraham, I was enraptured. How could one not be with words penned as exquisitely as this:
Lesbian is a monster.
Am I the monster?
do I want that word to feel delicious.
And delicious is exactly what this book is. It’s delicious in its pain, delicious in its suffering, delicious in its acceptance and unapologetic love. The writers in this book have no doubt all faced their share, and then some, of feeling less than, being told they are less than, living as less than, all because of who they love.
For far too long any expression of love by women for women has been chalked up to either lukewarm hypocritical acceptance (it’s okay to be gay, but I hope you aren’t) or nothing more than erotic urges to be played out in most men’s fantasies, but SMITTEN smashes the hell out of those twisted views, and it does so with absolute stunning precision.
Like that bell
That got Pavlov’s dog to salivate
I rise to an intensity of longing
in the presence of a tall, sexual
Butch pristinely starched
pledged to sisterly friendship
she says, not the sort of wild
sunrise I ardently desire, still.
Henri Bensussen – from This Splendid Sunrise
SMITTEN is the book I will give to my daughters, not only to appreciate and cultivate their ever-growing love of literature, but to take a walk inside the mind of many someones who loves just as fiercely as they do, even if on the outside, that love looks different, or remarkably the same, as theirs.
SMITTEN is something to behold. The lines, the breaks, the breaths a reader takes between are both sharp and soothing. This book is bursting with the kind of breathtaking poetry and prose that knows no gender, no sexual orientation, no colour or country, only the collective sighs of literature lovers from all walks of life.
Whether you identify as a proud member of the LGBTQ2 community, an ally within, or someone not entirely certain where you stand on love, SMITTEN is a book you simply must read. Whether you’re looking for acceptance, understanding, something to change your mind, SMITTEN is by far the book to do al of it.
But of course, if you’re just looking for good fucking poetry, well then I have high hopes for SMITTEN and every writer cradled within its pages.
You can read more of Nicole’s writing at Nicole Lyons