Living Dead Girl – M. Robbins

LivingDeadGirl6-1142x706Sleep is nothing more then a far off dream
So here I lay resting or so it would seem
As ashes fall from heavens face
I realize now that I’m in a 6×6 space

A daily reminder of the four walls
A daily reminder of those harassing calls
A daily reminder of how I’m trapped
A daily reminder of how people don’t see I’m handicapped

Life was never fair
Yet it use to be easy to bare
Once upon a time ago I use to care
Now all I do is mumble and stare
Once again into the dark
Once again to unleash the maddening lark

No room for compromise
Because in truth you speak lies
I no longer need fear
Nor do I shed that tear

You no longer rule this world
Go head let your lip curl
No surprise I became the living dead girl

© 2018 by M. Robbins

To see her website The Lost Voice of a Lark  and read more of Robbins Poetry go here

That woman is me

The woman sat flaccid-bottomed on bath lip
squash of emotions beneath sturdy hips
pieces of her, no-one ever sees
water on full, hitting porcelain as drums beaten to recall
steam filling small room, obscuring
her grave emptying breasts as they urge to droop lower in hour
whisper of a nipple, against empty arms
when was the last time? She felt hands on her
lifting drummed grief within, recoiling of sadness for
blur and smooth music of touch?
Is she still a woman able to appeal?
or become the damp drying of paper walls
pealing and perishing with carved silence
and who would caress the broken parts of her
with equal ardor? Not minding
how her stomach rounded and slid
slightly sideways in its phantom gelatin mold
where the folds of her neck roosted
her opening legs a trust, erased
for she holds within herself an
eternity of scolds and loose threads
disliking the belch of flesh around her thighs
or the downward pull of stretched skin
marking its silver lines across her
like marauding seafarers
she is told she is beautiful
by those who over-use the word and
glut on dispelling fears like caged witches given
their freedom
but in her heart of hearts
where rosy trace of girlhood is long swept and vanquished
and mirrors are to be run past and shunned
the puckering of her forehead, and thin skinned clavical
knows the real scales of her drying self-hood curling inward
in its invariable regret
she is not the smooth melatonin
goddess of her dreams nor even young enough to stop
another heart with any part of her
physic movement or grace
yet she possesses still
a smile, pulled from depths, capable of
illuminating others darkness
and when she is not
angered by slouch of age and
hours spent hunched over making
worlds with words
withering in slow motion on the vine
of her choices and that stayed
moment she quit opening for sunlight
she remembers the fleet-footed
girl of yesterday, taken in the arms of those
who would give her ease from solitude
in their reverence of her youth
though, it is not now, now she is alone
the bath filling high and her wish
to step into hot water and be absorbed by fantasy
to be touched again in feelings now stored away
only taken out briefly when facing herself and
the strange quality of her diminishing reflection
a voice within
rarely permitted to verbalize
the absence and loneliness of her skin
for if it could speak
surely those words would, catch the damp of her
ardor and unsaid want and cry out
oh just once more! Let me feel the rounding
desire we take for granted in youth
a touch through time, relieving ache
of years spent sleeping, back to the wall
hands beneath pillows, unwanted in disappearing skin
the burning of such need
a fire beneath closed eyes
seeking refuge in other worlds
where you are as you were
and have always been
devoured by your passion
the feeling of you inside, reminding us both
of life abundant
without loathing nor reducing
that woman
reaching out
is me

Do You Even Know What You’re Worth? – Marvlyn Vincent

You’re here,

You were placed on this earth,

Yes I admit,

Sometimes,

Being here hurts,

Life can be rough

Existence means pain,

Instead of the sunshine,

We’re showered by rain,

We’re losing our minds,

We’re going insane,

But what if we choose to acknowledge our pain,

Embrace our circumstances,

Bathe in the rain,

Somehow,

That simple truth, could lessen that pain,

We learn to do that,

Over and over,

Again and again,

Now the tides are turning,

Our minds slowing

We’re no longer running,

Wait,

Hold up,

I feel something,

Is it appreciation?

Or self deprecation?

Oh wait,

No,

Play that feeling again,

Just a little,

no ……we want more,

For what we’re feeling,

We must be sure,

Our minds are twisted,

Confidence depleted,

We must dig deep,

Reach in,

Pull ourselves together,

For we are so much more,

Than our brother’s keeper,

You can’t measure our worth

Cause we’re priceless,

And We’ll hold on to  that belief,

From now on regardless.

Marvlyn Vincent was born and raised in the Caribbean. She migrated to the United States more than a decade ago, not just in search of a better life, but also to literally save her life. As a child Marvlyn started writing poetry as an escape from the horrors of her reality, but also as an outlet for her pain. This was her way of sharing the things that she could not speak about. Today she still write about her past experiences, however, she’s also developed her writing to include the resolution that has gotten her through the hard times. Marvlyn runs the Harmony Place helping people with trauma and PTSD.

Queen Lilith – by Jay-lyn Doerksen

Sitting
legs swinging
devilish grin upon my lips.
Taunting
teasing
peeking over bared shoulder
eyes daring you
warning you
do not come so close.
Glimmer of seduction
blood red lips
shimmy of slender hips.
Come hither.
Come crawling
between my breasts
my legs
feel the heat arising.
Arms around
whispers in your ear
pulling you close my dear.
Mocking laughter begins to swirl
madness resounds.
Echoes in a never ending chasm
free fall
no net to stop your descent.
You will find yourself bound
chained
my slave
my thrall
tears fall from your eyes
drip from your chin.
You are mine
never will you win.
I personify
temptation
desire
seduction.
I am the dream
lingering in your mind
not quite awake
not quite asleep
at your throat
you will feel my teeth.
Not a tale told by religion
to keep all safe.
This is the story of my life.
©July 12/19
Picture via Pinterest
To read more of Jay-lyn Doerksen’s work please go to her WordPress Site here

Somebody – by HLR

Stumbling out of the pub last night we heard the helicopter before we saw it. “Air ambulance,” he said. “Trouble in someone’s home tonight,” I replied.

Then, first thing this morning, the news:
A few doors down from the house where I grew up.
Mass brawl turned into knife fight.
3 men stabbed.
2 in hospital.
1 dead.

The street where I learned to ride a bike,
where I used to play football
with the other neighbourhood kids,
where I used to climb the trees,
where I had my first kiss
is now a crime scene.

Murder inquiry. Police cordons. Forensic tents.
The street that held so many innocent
childhood memories now runs red
with the blood of three young men.

Immediately, panic. “Please God, let it not be somebody I know.” Panic, panic, panic, thinking of the people I know who live around there who would likely be involved in such a thing. There are many names running through my mind, too many. But no confirmed names. So we all keep praying: please please please don’t be someone I know.

Text to my brother: are you alive???

The rumour mill starts up. Gossip. Nosy neighbours. Twatter. Somebody who knows someone who knows someone that was or was not there or was nearby or heard something or spoke to a copper or knows a guy that knows another guy who heard something somewhere from somebody.

Text from my brother: yah just seen the news. way too close to home man

The story changes every 2 minutes. “Foreigners.” “Domestic incident.” “Polish.” “GMG.” “Drug dispute.” “Blacks.” Whole human lives and a world of misery reduced to a word or two. Still we wait for names and pray to a God that clearly isn’t here.

Text from B: Very sad. house has been taped off back garden has blood everywhere waiting for the forensic people to come out let you know if I find out anything

Text from J: Fukin terrible mate. Streets aint safe anywhere anymore. Waitin on names to come out hopefully not anyone we know

Text from M: omg do we know them? jesus this horrendous !!! RIP.

Text from D: Just heard on radio, bloody hell. It wasn’t outside the pub was it? x

Text from S: ive herd 10 diffrent stories! better not be anyone we fukin kno xxx

Text from F: Sad news about our street. What is wrong with the world 😥 Hope you’re keeping well babe, must meet soon, it’s been aaages! ❤

Then, news from a reliable source. “Not from round here.” “No one we know.” “Not one of ours.” Relief. Sick relief. Cruel relief. Shameful relief. Inappropriate relief. Insensitive relief. Somebody died last night but not someone we know. Thank you, God. Shameful relief, but relief nonetheless.

Then, anger. Somebody died last night. What the fuck are we going to do about this? How do we stop this? Where are the police? Where is Sadiq Khan? What on earth are politicians doing about this? When are judges going to start giving hard sentences? When are prisons going to become less like hotels and more like hell? How many more people have to die before something changes? When will this stop?

I fear that knife crime in London
will only cease to be a problem
once everybody has been
stabbed to death.

The heavens have opened over north London.
The rain has come to wash the blood away.
Another day, another slain by a blade.
The forecast for tomorrow: more of the same.

HLR is a 20-something writer of creative non-fiction, mainly short prose and poetry. She writes about challenging subjects such as mental illness, addiction, suicide and grief with an injection of sardonic British droll—a style acquired through years of mental angst and too much time spent in the pub. Perpetually on the verge of either a breakdown or a breakthrough (sometimes both) HLR was born and raised in north London, and is yet to escape. A list of previous publications can be found here.

Find more of HLR’s fabulous and powerful writing here on her webpage and with the writing collective Hijacked Amygdala  here

til Death – by HLR

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1. It looked like the scene of a crime and I suppose it was:
manufactured by a fucked-up mentality and fuelled by pity,
it was a crime against sanity, a crime of stupidity,
and now I’m gonna have to serve my time until one of us dies.

2. I’m stuck to you with claret glue but you are bad bad bad news.
I’m bad news too but you think I’m the best thing that’s ever happened to you.
That’s just one of the reasons why it was a fucking stupid thing to do.

3. Your dark red dabs remain underneath the fresh magnolia paint and I had to throw your jumper and my t-shirt away. It was a good idea at the time: the unification of two bedlamites, the formation of an everlasting alliance between the perpetually misunderstood, but the knife in the drawer and the scar across my palm reminds me that you do me far more harm than good. Blood smeared on our faces like war-paint and Eminem elected as our patron saint, how we laughed and thought we’d finally found our place in the world: together, against it.

4. “Dream Team, baby.” “Nightmare Pair, baby.”

5. Now that we are family, bound by loyalty, I can’t get rid of you. Well, I can. We always said we’d go out on the blades of glory and this is definitely gonna end badly. You think you’re Sid but, trust me, it’s more likely that you’ll end up like Nancy. Ah, God: it would be way too easy.

6. The problem with a blood pact
is that you can’t take it back:
you’ve got me as a friend
’til the bitter, twisted end.

HLR is a 20-something writer of creative non-fiction, mainly short prose and poetry. She writes about challenging subjects such as mental illness, addiction, suicide and grief with an injection of sardonic British droll—a style acquired through years of mental angst and too much time spent in the pub. Perpetually on the verge of either a breakdown or a breakthrough (sometimes both) HLR was born and raised in north London, and is yet to escape. A list of previous publications can be found here.

Find more of HLR’s fabulous and powerful writing here on her webpage and with the writing collective Hijacked Amygdala  here

Telekinesis — HJD writes

Yes, I say, yes, I am not well Forgotten: consumed by flames of authority, failures in the past My mind – love the stories you tell, scared by your indifference fear no evil when it’s all around me primate circus where everyone plays their role no content is needed as long as it rhymes and […]

via Telekinesis — HJD writes

Neither you and neither me – Candice Daquin

 

Behind closed doors I am a different animal

I eat my food protectively and with great bites

I play dress-up and pretend

I am a typical only child used to a secret life

sometimes it is lonely and sad and often after

socializing I long to rid myself of the feeling of being

filled up with too many people and too many words

the reason I have few lines on my face is

I don’t speak for hours often gallivanting in my head

stories and themes and wonders

whilst outwardly impassive and calm.

When I was younger I loved to

wear fancy dress and make up stories and climb trees

when it became the time to give those things up

I did never find a suitable replacement

if I had my way I would dance and blow up balloons

eat cake and make love and little else

a hedonist with a conscience, one friend said

you care so much and then you wish you did not

people have always remarked upon how

well together I am, with my matching colors and my greese-proof make-up that doesn’t run when I scream

but it is absolutely a mask, clowns buy in bulk

one becoming a little threadbare as I

get out of practice and grow older

my hands resemble a milk maids and the times I have howled

show in the corners of my yawning mouth like apostrophes of regret

in the past I’d just have plaited

ribbons in my hair and worn a torn chemise

all the world would have said; Adorable!

But now, damn it, I want to be liked for who I am

not that miracle of long hair obscuring

layers and layers hiding, the girl beneath

who never did like how she looked

too masculine, too strong jawed, too high forehead

as I age I see the thin-lipped hydra smile of my dad more pronounced

vanity whispers; Botox and Rejuvaderm can solve that

yet I hesitate

something unbrushed and feral in my blood saying

don’t give up being wild and seeking the rheumatic lore

thinking in my mind of all my family, how

like short-lived butterflies they bloomed young and grew old fast

in things of skin and bone

but their spirits were always wild

like they continued to roam

and I love that

it’s the one thing about my legacy I am proud

when it is quiet and I am sorrowful and piteous

I think of my grandmother stomping in her big heavy boots

lines around her mouth from dragging on her fags

taking the dog for his seven mile walk

up into the heath we clambered

her giving me tips on avoiding a receding hairline (well coconut oil didn’t fix that)

whilst I longed to sneak off for a cigarette myself

we’re a nest of night tokers until we become unwell

or if there had been a lover, a little bit of slap and tickle

I was always unrestrained and apt to be naughty

she was exactly the same that I knew

we all possess a fierce loyalty to the idea of love

even if it disappoints

you might say

we’re a cracked family of romantics

ransoming reality for a second bite of cake

I smoke in my dreams

and I kiss you with closed eyes

I don’t want to be 34 or 73

even as we all shrivel and decrease

I long to find that diving pool again and

swim underwater long enough

when I emerge I am neither you

and neither me

 

Euphemism ~ Candice Daquin

My grandmother used to say

If you give it away too easily

People will not value it

If it’s too easy it won’t have worth

And I realize

All the time I thought truth

Could be a beautiful thing

I was just making it easier

To be taken for granted and hurt

But I don’t play games

So if you’d only like me when I put on an act

And play hard to get

Then I’ll probably be alone forever

Because I’m not going to do that

Just so you fall for someone who

Isn’t me

That impressive mirage you conjure

Part from your own want

Part from my tease and need

For acceptance

You don’t know yet

I’ve an entire suitcase of rejections

Dolls with turned faces who declared

You’re a disappointment

I keep them in my attic and try not to talk about how

Their approbation flayed me more skillfully than

A pack of wolves set to hunt

I think there is not much difference

Between murder and neglect

Still

When it’s a balmy moon and we’re listening to the radio

If I hear a song for the girl I was

Before her face was pushed and held down

In her own regret

Your need and my tokenism

Are like wet matches

Able to dry out and catch

Given enough longing

Though it’s nothing more than spectacle

And borrowed words

Reveling in the saturate

Of one unfocused moment

Lapsing in her chair

Red toes, black eyes

Spilt hair, tied back bosom

The angularity of pain

Sift of life straining for

One last memory

Dancing in your arms

As you whisper things we’ll never do and maybe

I believe

Before sunrise

Every damn one of them

They stain my skin

With their heavy pits

As you take me into you and gasp

Underwater music sounds

Like a bird released from its cage

Will linger

Before flying away

And you

Place the empty containers of your words

Perfume bottles for the dreamer

Touch the door with trembling fingers

Wanting to make it last

Knowing it has already fled

And the besting of wings

Join children’s laughter

Playing by busted sprinkler

Water catching sunlight

Reminding you of grief

And her intoxicating print

Heavy in your chest

This girl is all I am – Candice Louisa Daquin

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There is a secret at the back of my throat

a black tulip

that won’t swallow

the ash of memories

I was you see, a girl of damage and plums

you could see the embers beneath my eyes

like eighties makeup and Adam Ant

I was no prince charming

but the girl who played the piano with her eyes shut

because she could not read music

nor find her way to release

I see photos of girls who could have been me

with fresh skin and dimples

they can join groups and do things in harmony

smile for the camera, bow for the priest

whilst I shunned the age of innocence

or it devoured me

spitting out my infernal seeds

to scatter beyond my picking

how to climb mountains with minions

take a picture?

or smile in the collective conscience

when the stamp is already affixed

blood drawn

waiting for its testing

I can already tell you

it will be infected

with the grief that stayed and did not go

so when you ask me

why don’t you have photos of when you were younger?

why don’t you feature in group shots?

how come you don’t possess family and friends in abundance?

or even handfuls

I point wordlessly

to a girl in the past

licking darkness from her fingers

I say without a tongue

this is who she becomes

this girl is all I am

if it is not enough for you I understand

if you need someone who will radiate and take you

mountaineering and socializing

do not choose her

she has only the will of this moment

she is not a joiner not one of the crowd

but if you let her

precisely because of this

she will be everything