Do You Even Know What You’re Worth? – Marvlyn Vincent

You’re here,

You were placed on this earth,

Yes I admit,

Sometimes,

Being here hurts,

Life can be rough

Existence means pain,

Instead of the sunshine,

We’re showered by rain,

We’re losing our minds,

We’re going insane,

But what if we choose to acknowledge our pain,

Embrace our circumstances,

Bathe in the rain,

Somehow,

That simple truth, could lessen that pain,

We learn to do that,

Over and over,

Again and again,

Now the tides are turning,

Our minds slowing

We’re no longer running,

Wait,

Hold up,

I feel something,

Is it appreciation?

Or self deprecation?

Oh wait,

No,

Play that feeling again,

Just a little,

no ……we want more,

For what we’re feeling,

We must be sure,

Our minds are twisted,

Confidence depleted,

We must dig deep,

Reach in,

Pull ourselves together,

For we are so much more,

Than our brother’s keeper,

You can’t measure our worth

Cause we’re priceless,

And We’ll hold on to  that belief,

From now on regardless.

Marvlyn Vincent was born and raised in the Caribbean. She migrated to the United States more than a decade ago, not just in search of a better life, but also to literally save her life. As a child Marvlyn started writing poetry as an escape from the horrors of her reality, but also as an outlet for her pain. This was her way of sharing the things that she could not speak about. Today she still write about her past experiences, however, she’s also developed her writing to include the resolution that has gotten her through the hard times. Marvlyn runs the Harmony Place helping people with trauma and PTSD.

Shift – A Wise Woman Writes

Churned in chronic cloud

Wafted away

To tenebrous fray

I’m wrecked

Face down

Among ash anointed dirt

Abysmally amassing

Illness

Sadness

Death

So lonely

Don’t tell me

About reasons

Or better places

In this house

Where words are weapons

And welts wail long after

The belts been cinched

This is chaos

And I’m lost

Waiting for a day

When I’ll write pretty things

Now sweet singing is stifled

But for mournful melancholy

Seeping from my chest

Compressed

By weight

Of souls

I’ve collected

Disconnected

Rejected

Infected

Ready

For disintegration

To begin

Go ahead

Shift

See the original here https://wisewoman2016.wordpress.com/2019/04/19/shift/?fbclid=IwAR3i8B0mzf1WuFZo4-lkI471LVTmc6fRW5XQPItZ9PhmoRBgoNXrC02wC1E

Neither you and neither me – Candice Daquin

 

Behind closed doors I am a different animal

I eat my food protectively and with great bites

I play dress-up and pretend

I am a typical only child used to a secret life

sometimes it is lonely and sad and often after

socializing I long to rid myself of the feeling of being

filled up with too many people and too many words

the reason I have few lines on my face is

I don’t speak for hours often gallivanting in my head

stories and themes and wonders

whilst outwardly impassive and calm.

When I was younger I loved to

wear fancy dress and make up stories and climb trees

when it became the time to give those things up

I did never find a suitable replacement

if I had my way I would dance and blow up balloons

eat cake and make love and little else

a hedonist with a conscience, one friend said

you care so much and then you wish you did not

people have always remarked upon how

well together I am, with my matching colors and my greese-proof make-up that doesn’t run when I scream

but it is absolutely a mask, clowns buy in bulk

one becoming a little threadbare as I

get out of practice and grow older

my hands resemble a milk maids and the times I have howled

show in the corners of my yawning mouth like apostrophes of regret

in the past I’d just have plaited

ribbons in my hair and worn a torn chemise

all the world would have said; Adorable!

But now, damn it, I want to be liked for who I am

not that miracle of long hair obscuring

layers and layers hiding, the girl beneath

who never did like how she looked

too masculine, too strong jawed, too high forehead

as I age I see the thin-lipped hydra smile of my dad more pronounced

vanity whispers; Botox and Rejuvaderm can solve that

yet I hesitate

something unbrushed and feral in my blood saying

don’t give up being wild and seeking the rheumatic lore

thinking in my mind of all my family, how

like short-lived butterflies they bloomed young and grew old fast

in things of skin and bone

but their spirits were always wild

like they continued to roam

and I love that

it’s the one thing about my legacy I am proud

when it is quiet and I am sorrowful and piteous

I think of my grandmother stomping in her big heavy boots

lines around her mouth from dragging on her fags

taking the dog for his seven mile walk

up into the heath we clambered

her giving me tips on avoiding a receding hairline (well coconut oil didn’t fix that)

whilst I longed to sneak off for a cigarette myself

we’re a nest of night tokers until we become unwell

or if there had been a lover, a little bit of slap and tickle

I was always unrestrained and apt to be naughty

she was exactly the same that I knew

we all possess a fierce loyalty to the idea of love

even if it disappoints

you might say

we’re a cracked family of romantics

ransoming reality for a second bite of cake

I smoke in my dreams

and I kiss you with closed eyes

I don’t want to be 34 or 73

even as we all shrivel and decrease

I long to find that diving pool again and

swim underwater long enough

when I emerge I am neither you

and neither me

 

The hard as fuck girls – Candice louisa Daquin

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The hard as fuck girls

with their leopard eyes and sepia lips

set in twisted, pigtail granite

painted their hides with waterproofing

like the kind you put in the bottom of swimming pools

the muscles in their cheeks set so tight

they’d break a gobstopper with one bite

eating pickles like they were candy

no sour stomach, no need of remedy

the hard as fuck girls

survived asbestos, pinching boys and ant hills

broke their arms, laughed about the plaster itching

used youths rubber band as catapult

to get everything they required

including your heart and the french pleat dresses

my waist was too thick to fit into

they were Scarlet O’Hara before Rhett left her open-mouthed

Shirley MacLaine after she saw angels & demons

Lauren Bacall had their arching face

Katherine Hepburn the gamine grace

they didn’t like me much

I was a bleeding heart with too little guts

in fact they had no mercy for any girl

who didn’t seize the moment and say

this is what I want

FUCK the fear I’m on top

this is my day I don’t want a slice, I’ll take it all

and with lusty grinning glance ate

the cherry and the whip cream

with their little red tongues

licking the glass, round and

round til nothing more

was left

 

 

Preyed

 

Whispers penetrate flesh walls,
secrets resound like a melody
within the temple of mind.

A church choir of boys
sing Latin,
a tongue they never understood,
yet made beautiful in spite.

An angelic host of innocence,
perched in perfect rows;
perverse men licking dry lips
conduct harmony, as
chorus echoes in rounds
confined by marble stone
laid by hypocritical hands.

In time holy walls stand,
coffers full and overflowing
while souls remain empty.

Yet pride crumbles the benevolent,
corrupt tongues stumble awkwardly
over the dulled ivory teeth of time.

Stained glass fragments let in truth,
rays of light stream through darkness
reflecting a shattered faith sanctuary
built upon broken bones of man.

 

©Sabrina Escorcio
September 2017

Photo Credit, Sam Webber illustration for “the Priest That Preyed” – New York Times

 

Last Call to Submit Writing and/or Art for “We Will Not Be Silenced” Anthology

Midnight, Monday 15th October is the deadline for submitting art/writing/poetry, this is an important, very timely project at a critical stage in history, your voices need to be heard!

Bruised But Not Broken, Whisper and the Roar, Indie Blu(e), and Blood Into Ink are joining forces to publish an anthology about the lived experience of sexual harassment and assault. We believe that it is more important than ever before that more voices speak out and reclaim their strength by owning their survival stories. All contributors, female and male, can submit up to three pieces of creative work- these can include; Poetry, Prose, Essay, Short Fiction, Prose, or original Artwork, but should be limited in length (under 1,000 words) considering that this is an anthology. You will be notified if your work is accepted. Please do not consider nonacceptance as any diminishment of your experience, but as with any publishing venture, we must try to fit the individual pieces together into a strong whole.

  • Submission of previously published pieces is acceptable if you still own the rights to your work.
  • Artwork can be submitted in black and white OR color but all artwork should be black and white compatible.
  • Using a pen name or publishing anonymously is acceptable.
  • All submissions should be sent to bloodintoink2017@gmail.com by midnight, Monday, October 15, 2018.

Writers and artists will retain the publishing rights to their individual submitted pieces. Indie Blu(e) will retain the rights to the collection We Will Not Be Silenced.

Pieces accepted for the Anthology may be used in whole or in part to promote the Anthology. All writers and artists will be appropriately credited in all promotional materials.

Should the royalties from sales of the Anthology exceed the costs of publishing and promoting the Collection, 70% of the royalties above these costs will be donated to organizations that support survivors of sexual harassment and sexual assault.