til Death – by HLR

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1. It looked like the scene of a crime and I suppose it was:
manufactured by a fucked-up mentality and fuelled by pity,
it was a crime against sanity, a crime of stupidity,
and now I’m gonna have to serve my time until one of us dies.

2. I’m stuck to you with claret glue but you are bad bad bad news.
I’m bad news too but you think I’m the best thing that’s ever happened to you.
That’s just one of the reasons why it was a fucking stupid thing to do.

3. Your dark red dabs remain underneath the fresh magnolia paint and I had to throw your jumper and my t-shirt away. It was a good idea at the time: the unification of two bedlamites, the formation of an everlasting alliance between the perpetually misunderstood, but the knife in the drawer and the scar across my palm reminds me that you do me far more harm than good. Blood smeared on our faces like war-paint and Eminem elected as our patron saint, how we laughed and thought we’d finally found our place in the world: together, against it.

4. “Dream Team, baby.” “Nightmare Pair, baby.”

5. Now that we are family, bound by loyalty, I can’t get rid of you. Well, I can. We always said we’d go out on the blades of glory and this is definitely gonna end badly. You think you’re Sid but, trust me, it’s more likely that you’ll end up like Nancy. Ah, God: it would be way too easy.

6. The problem with a blood pact
is that you can’t take it back:
you’ve got me as a friend
’til the bitter, twisted end.

HLR is a 20-something writer of creative non-fiction, mainly short prose and poetry. She writes about challenging subjects such as mental illness, addiction, suicide and grief with an injection of sardonic British droll—a style acquired through years of mental angst and too much time spent in the pub. Perpetually on the verge of either a breakdown or a breakthrough (sometimes both) HLR was born and raised in north London, and is yet to escape. A list of previous publications can be found here.

Find more of HLR’s fabulous and powerful writing here on her webpage and with the writing collective Hijacked Amygdala  here

Shift – A Wise Woman Writes

Churned in chronic cloud

Wafted away

To tenebrous fray

I’m wrecked

Face down

Among ash anointed dirt

Abysmally amassing

Illness

Sadness

Death

So lonely

Don’t tell me

About reasons

Or better places

In this house

Where words are weapons

And welts wail long after

The belts been cinched

This is chaos

And I’m lost

Waiting for a day

When I’ll write pretty things

Now sweet singing is stifled

But for mournful melancholy

Seeping from my chest

Compressed

By weight

Of souls

I’ve collected

Disconnected

Rejected

Infected

Ready

For disintegration

To begin

Go ahead

Shift

See the original here https://wisewoman2016.wordpress.com/2019/04/19/shift/?fbclid=IwAR3i8B0mzf1WuFZo4-lkI471LVTmc6fRW5XQPItZ9PhmoRBgoNXrC02wC1E

Neither you and neither me – Candice Daquin

 

Behind closed doors I am a different animal

I eat my food protectively and with great bites

I play dress-up and pretend

I am a typical only child used to a secret life

sometimes it is lonely and sad and often after

socializing I long to rid myself of the feeling of being

filled up with too many people and too many words

the reason I have few lines on my face is

I don’t speak for hours often gallivanting in my head

stories and themes and wonders

whilst outwardly impassive and calm.

When I was younger I loved to

wear fancy dress and make up stories and climb trees

when it became the time to give those things up

I did never find a suitable replacement

if I had my way I would dance and blow up balloons

eat cake and make love and little else

a hedonist with a conscience, one friend said

you care so much and then you wish you did not

people have always remarked upon how

well together I am, with my matching colors and my greese-proof make-up that doesn’t run when I scream

but it is absolutely a mask, clowns buy in bulk

one becoming a little threadbare as I

get out of practice and grow older

my hands resemble a milk maids and the times I have howled

show in the corners of my yawning mouth like apostrophes of regret

in the past I’d just have plaited

ribbons in my hair and worn a torn chemise

all the world would have said; Adorable!

But now, damn it, I want to be liked for who I am

not that miracle of long hair obscuring

layers and layers hiding, the girl beneath

who never did like how she looked

too masculine, too strong jawed, too high forehead

as I age I see the thin-lipped hydra smile of my dad more pronounced

vanity whispers; Botox and Rejuvaderm can solve that

yet I hesitate

something unbrushed and feral in my blood saying

don’t give up being wild and seeking the rheumatic lore

thinking in my mind of all my family, how

like short-lived butterflies they bloomed young and grew old fast

in things of skin and bone

but their spirits were always wild

like they continued to roam

and I love that

it’s the one thing about my legacy I am proud

when it is quiet and I am sorrowful and piteous

I think of my grandmother stomping in her big heavy boots

lines around her mouth from dragging on her fags

taking the dog for his seven mile walk

up into the heath we clambered

her giving me tips on avoiding a receding hairline (well coconut oil didn’t fix that)

whilst I longed to sneak off for a cigarette myself

we’re a nest of night tokers until we become unwell

or if there had been a lover, a little bit of slap and tickle

I was always unrestrained and apt to be naughty

she was exactly the same that I knew

we all possess a fierce loyalty to the idea of love

even if it disappoints

you might say

we’re a cracked family of romantics

ransoming reality for a second bite of cake

I smoke in my dreams

and I kiss you with closed eyes

I don’t want to be 34 or 73

even as we all shrivel and decrease

I long to find that diving pool again and

swim underwater long enough

when I emerge I am neither you

and neither me

 

Everything that matters ~ Candice Daquin

My chest squeezes

With the deep timber of you

We are laughing, the day is bright and cold

My cheeks are flush and though I don’t, I imagine I know so much about you

Like how you look when

Downcast

Your eyes lift up

Catch mine

Longer than is polite

Though you tell me

Disregard that weakness of mine

To regard you for too long

Steal your breath with my seeking

Translucency

It is fleeting and full of vanity

Not true

Yet

What is true often

Defies our promise

Or the words we use

To cover up the unavoidable

I ignore your command

My chest bests faster

An instrument gaining momento

As in dappled sun I run

To catch you ahead of me

Your slender outline

Pricking my skin senseless

We may not have said it yet

Perhaps it will hang

Unsaid but plucked

An invisible story of us

Caught in gosamer

Knowing, the moment we met

Wasn’t without significance

You try to convince me

This happens to you often

With many people, all the time

It is, practically without consequence

I don’t believe that

I hear the heaviness in your voice

Lift

As we speak

I laugh so much and feel so filled

With you

You are

That bottle of Proseco

I wasn’t able to drink

On Jan 31st

But we are now in a new year

All the rules have shifted

And you are tired of living

Without passion

And I

Feel enough for both of us

Searching in the park

Where we haunt the others proximity

I admit only to myself

How I long to draw you to me

Feel the firmament of us

Would you protest?

Say no?

Get angry?

I think I could embrace anything

But your repulsion

What I could not do

For another twelve months

And cycle of life

Haloing

Is sit politely

Next to you

Not acting

On everything

That matters

Euphemism ~ Candice Daquin

My grandmother used to say

If you give it away too easily

People will not value it

If it’s too easy it won’t have worth

And I realize

All the time I thought truth

Could be a beautiful thing

I was just making it easier

To be taken for granted and hurt

But I don’t play games

So if you’d only like me when I put on an act

And play hard to get

Then I’ll probably be alone forever

Because I’m not going to do that

Just so you fall for someone who

Isn’t me

That impressive mirage you conjure

Part from your own want

Part from my tease and need

For acceptance

You don’t know yet

I’ve an entire suitcase of rejections

Dolls with turned faces who declared

You’re a disappointment

I keep them in my attic and try not to talk about how

Their approbation flayed me more skillfully than

A pack of wolves set to hunt

I think there is not much difference

Between murder and neglect

Still

When it’s a balmy moon and we’re listening to the radio

If I hear a song for the girl I was

Before her face was pushed and held down

In her own regret

Your need and my tokenism

Are like wet matches

Able to dry out and catch

Given enough longing

Though it’s nothing more than spectacle

And borrowed words

Reveling in the saturate

Of one unfocused moment

Lapsing in her chair

Red toes, black eyes

Spilt hair, tied back bosom

The angularity of pain

Sift of life straining for

One last memory

Dancing in your arms

As you whisper things we’ll never do and maybe

I believe

Before sunrise

Every damn one of them

They stain my skin

With their heavy pits

As you take me into you and gasp

Underwater music sounds

Like a bird released from its cage

Will linger

Before flying away

And you

Place the empty containers of your words

Perfume bottles for the dreamer

Touch the door with trembling fingers

Wanting to make it last

Knowing it has already fled

And the besting of wings

Join children’s laughter

Playing by busted sprinkler

Water catching sunlight

Reminding you of grief

And her intoxicating print

Heavy in your chest

The imperfection & the wonder ~ Candice Daquin

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What would it look like to be someone else?

who did not wake up red-eyed and fearful?

what would it feel like to be held and words said & meant

to be turned gently in the measure of another’s gaze

would it feel good or unnatural?

by now, like an ill-planted tree, I have bent at an angle to accommodate

the lack

It may be, I don’t want the dream anymore

but something that keeps cold from the hole in my side

so when you tell me

don’t fall in love with me, I am imperfect

so much is wrong with me, if only you knew

if you saw the real me, you would be scared off

when you tell me

the first time I saw you, I was in awe

I couldn’t reveal how much I liked you with nothing to offer in return

I ask you to consider this

I am a tree growing at an angle

because nobody bothered to set me straight and tall

in more ways than one I am bent

and crooked, slightly deformed and full of holes

that let in the cold

sometimes I am a woman who looks in the mirror and sees

every cruel word inscribed on her face

like inch worms or tattooists needle cutting off circulation

every betrayal, a brand burning my attempts

every lie, a drowning, of my ability to breathe

other days I am a girl who runs

for buses in heals and mini skirts

and the boys they shout after that person

because she is a parody and an apparition

as much as she is flesh and blood and nobody they’d want

but I’m the same no matter what mask I choose

I’m the girl who cries and then answers the door smiling

I’m the girl who has become so good at hiding

she hasn’t been found in a very long time

I give far more than I take

because I don’t know how to feel worthy either

so believe me when I say

I know your fear and part of why

you shy away from me, even as your eyes say

oh how I would like to spend a day a night

laughing and smiling in your company

but I am not a cult leader

I can’t convince you, you have to see it for yourself

I am a simple person flayed by life, other people and winter wind

cutting through our best intentions

I try to be grateful, mindful, all the things

we’re told to be

but just as often as I succeed, I fail

I wasn’t built for battles, I don’t know how

to compete the way others do

and if you think I won’t like you because

of any number of funny things

remember

they’re just things and any moment

they could be gone as we could

because life comes and snatches back

just when you think you have time

but what is left

what remains when the table is cleared

are two people

with suitcases of fear pouring out

we are sitting as the light fades in surround

talking despite ourselves

for some part of each of us, wants the other

recognizes a connection

and knows

the only way in this life is to risk all or none

there are no in-betweens

you cannot find love by wishing or digging

both of us have been burned and stung and hammered

by the lies of people and trust is a faraway concept

but until they switch us off and we lay fallow

impregnating earth with our dissolve

I say we try for our chance, however long we’ve got

not let the fear put us off

even as you swore you’d never again

even as I promised I wouldn’t go there

somehow here we sit

staring at the other

seeing everything we want

in the imperfection and

the wonder

Final chance to submit to: “We Will Not Be Silenced” Anthology

Midnight, Monday 15th October is the deadline for submitting art/writing/poetry, this is an important, very timely project at a critical stage in history, your voices need to be heard! Previously published work you hold the copyright permissions on, are acceptable.

Please add your voice.

The story: Bruised But Not Broken, Whisper and the Roar, Indie Blu(e), and Blood Into Ink are joining forces to publish an anthology about the lived experience of sexual harassment and assault. We believe that it is more important than ever before that more voices speak out and reclaim their strength by owning their survival stories. All contributors, female and male, can submit up to three pieces of creative work- these can include; Poetry, Prose, Essay, Short Fiction, Prose, or original Artwork, but should be limited in length (under 1,000 words) considering that this is an anthology. You will be notified if your work is accepted. Please do not consider nonacceptance as any diminishment of your experience, but as with any publishing venture, we must try to fit the individual pieces together into a strong whole.

  • Submission of previously published pieces is acceptable if you still own the rights to your work.
  • Artwork can be submitted in black and white OR color but all artwork should be black and white compatible.
  • Using a pen name or publishing anonymously is acceptable.
  • All submissions should be sent to bloodintoink2017@gmail.com by midnight, Monday, October 15, 2018.

Writers and artists will retain the publishing rights to their individual submitted pieces. Indie Blu(e) will retain the rights to the collection We Will Not Be Silenced.

Pieces accepted for the Anthology may be used in whole or in part to promote the Anthology. All writers and artists will be appropriately credited in all promotional materials.

Should the royalties from sales of the Anthology exceed the costs of publishing and promoting the Collection, 70% of the royalties above these costs will be donated to organizations that support survivors of sexual harassment and sexual assault.